The Theatre Studies department at the Institute for Theatre, Film and Media Studies at the Goethe University offers two M.A. programmes in Dramaturgy in cooperation with the Hessen Theatre Acadamy (HTA):

M.A. Dramaturgy

The M.A. Dramaturgy was founded in 2002 and offers a full university course in Frankfurt that combines theory and practice.

M.A Dramaturgy
Programme Contents


The international partner study programme Comparative Dramaturgy and Performance Research offers studying both at Goethe University in Frankfurt and at one of currently four international higher education institutions and leads to a Double Degree.

Programme Contents

We understand Dramaturgy as a political practice. Dramaturgy can open the creative process – the artwork in progress – where it threatens to refuse the demands of the constitutively excluded Others. Dramaturgy remembers, that conflict is key for every theatre and opposes its ‘extorted reconciliation’ (Adorno). With dramaturgy, we can negotiate the question of who is allowed to take up space and perform on stage and who isn’t again and again. The vanishing point of every political dramaturgy is that impossible theatre that negates the present as the realm of possibilities: In the interest of a different theatre or perhaps of something completely different from what we call theatre today.

Current Events

VViP-Festival ̶ Forum for Unfinished Works

Festival of and for students of HTA and Goethe University
6. July 2019
Tickets and further Information

Frankfurt LAB

Realities of the Scripted

Ringvorlesung der Hessischen Theaterakademie
Dates and detailled Information
Studio des MA CoDE, Eschersheimer Landstraße 50-54, Frankfurt/Main

Jour Fixe

The Jour fixe invites students of the Hessen Theatre Academy to take part in discussions with guests from theatre and cultural policy on the rehearsal stage of the Institute for TFM in an informal context.In the past years with: Amelie Deuflhard, Martine Dennewald, Tim Etchells, Sigrid Gareis, Heiner Goebbels, Kirsten Haß, Carl Hegemann, Stefan Hilterhaus, Susanne Kennedy, Burkhard Kosminski, Matthias Lilienthal, Jan Linders, Stefanie Lorey, Florian Malzacher, Bettina Masuch, the production office „Ehrliche Arbeit“, Milo Rau, She She Pop, Julia Stoschek, Tom Stromberg, Hasko Weber and many more. On irregular Wednesdays at 19 o’clock (c.t.). Le Studio. Rehearsal stage of the Theatre Studies department (Probebühne der Theaterwissenschaft), Jügelhaus, building section D, room 108, 1. Floor, Campus Bockenheim.

Research-Colloquium and Masterclass

The Theatre Studies Department highly values the connection of teaching and research. We are committed to teaching our research. That is why each semester, we offer a Research-Colloquium for Master-students, where we discuss current questions in research as well as the final projects of students. Furthermore, we regularly hold Master Classes. They give students the opportunity to present and discuss their own academic work within the framework of a public event with international academic and theatre practitioner guests. Past events have concerned themselves with these topics: „Implosion of the municipal theatre? History, analysis, perspective“ (Winter 18/19), „Theatre and Identity Politics“ (Winter 17/18), „Theatre of the A-Human“ (Winter 15/16), Kafka and Theatre“ (Winter 13/14). Presentations, contributions and results are documented here:
https://blog.studiumdigitale.uni-frankfurt.de/theater/ and http://www.theater-wissenschaft.de/category/thewis/ausgabe-2017-kafka-und-theater/


Dramaturgy and CDPR students will be supported in their artistic projects by a coach who comes from the field of dramaturgical practice. That’s why we work with practitioners from municipal and state theatres as well as from the Free Scene. In the past few semesters, students worked with: Björn Auftrag, Laurent Chétouane, Marcus Dross, Martin Hammer, Katja Leclerc, Maria Magdalena Ludewig (T), Kris Merken, Malin Nagel and Jonas Zipf.

Scenic performance projects

The Frankfurt Theatre Studies programme puts great emphasis on integrating experience with artistic practice into the programme, no matter whether students aim for a career on stage or behind the scenes later in life. Students regularly work with professional artists within the framework of scenic performance projects, theory-practice-project workshops and weekend-seminars on the rehearsal stage of the Institute. In past years with: Robin Arthur, Laurent Chétouane, Katharina Kellermann, Stefanie Lorey, Lina Majdalanie, Gerardo Naumann, Boris Nikitin, Jan-Philipp Stange, Katharina Stephan, Tore Vagn Lid, Rosa Wernecke and many more.

Friedrich Hölderlin Guest Lectures in General and Comparative Theatre Studies

Within the framework of this lecture series we will situate Theatre Studies in the context of those philosophical and political questions that are always at play when thinking about theatre, but that are often obscured. Next to questions that strictly concern theatre, the talks of our guests will also deal themselves with questions on theatre theory and theory that we concern ourselves with in theatre. These talks deal with theatre in all its four meanings, in accordance with the Leipzig discourse on theatricality: Theatre, anti-theatre, theatre in a wider sense and not-theatre. Our extended understanding of “Theatre“ is situated closely to newer findings in the field of Theatre Studies: We want to establish a notion of Theatre Studies that places it outside of the national-philological explanation of 1930s Germany as well as outside of the limitation of the staged performance, suggested by Max Hermann, the founder of Theatre Studies in the German-speaking context, at the turn of the 19th century. Theatre is more than the ephemeral product of an evening, but is also process, interaction, action and especially critical practice.

By choosing Hölderlin as the namesake for this lecture series, we seek to remember that Hölderlin, who lived in Frankfurt for some time, wasn’t just a great poet, but also a great theatre theoretician and dramaturgical thinker, who opened up the thinking of modern theatre with his Sophocles translations, fragments of writing and comments on “Ödipus” and “Antigone”. This is especially true when considering the ineluctable condition of “mediation”.

Recordings of past lectures: https://blog.studiumdigitale.uni-frankfurt.de/theater/hoelderlin-vortraege/